The latest Somerset Studio has arrived – March/April 2018. My column features recent experiments with paper cutting to create shadows. The first photo is a close-up I took of one piece – derived from my Rose Window stencil. I've always been intrigued by illuminated dimensional art, and while I didn't take mine that far, it was a fun self-imposed assignment to create pattern and depth with paper and just a few tools. As I was turning the pages of the new issue, it was a nice surprise to land on Mary Beth Shaw's interesting article on pigments – there's a full page of my Maltese Mix stencil. Very cool.
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